I first met Matthew Plummer Fernandez a few years ago, when I was playing some records as a warm-up for my friend Dan Moss’ band, Dems, at Corsica Studios. As I attempted to not offend the crowd with my selections, Matthew was producing some extraordinary visuals from his laptop. It turned out he was using a piece of software he had built himself! It was then I realised he wasn’t one to mess about.
Having enjoyed listening to him talk about his passion for computer-generated visual art that evening, I signed up to his Algo-pop blog, which studies “the appearance of algorithms in popular culture and everyday life”. Over the following months, I really grew to like the way Matthew and his cohort playfully pull at the fabric of our online lives, revealing the mechanisms and distortions that go unseen much of the time, and yet undeniably shape our experiences.
For example, it was through Algopop that I first came across the ‘Love Machine’.
Matthew Plummer Fernandez is a British/Colombian artist based in London. Through his innovative work, he creates sculpture, software, online interventions and installations, often reflecting on our contemporary socio-technical entanglements with software automation. He runs the popular blog Algopop which explores the role of algorithms in every day life. His work has been presented extensively, including solo shows at iMal in collaboration with JODI, and Nome Gallery in Berlin. His works have been acquired by the Pompidou in Paris, and commissioned by the V&A in London, as well as AND Festival, Manchester. Matthew is currently an invited resident at Somerset House Studios, and later this year he’ll exhibit a new series of large-scale 3D printed sculptures as part of York Mediale Festival.In his Strrr episode, Matthew explores the role that algorithms play in everyday life and culture. From their beginnings in the simple animations of the 1970s and 80s, through to the cutting edge neural networks and artificial intelligence of today, Matthew reveals the various ways in which algorithms are playing an increasing central role in our lives.
Tauri Talk – Alpha Tauri Formula 1 team Podcast
In August we were approached by Red Bull to consult on a recently launch podcast for the Scuderia Alpha Tauri Formula 1 team, formerly Toro Rosso. With a considerable audience under 25, through liaising with Alpha Tauri admin and host Josh Kruse, we distilled the...
We Are Europe 2020
I'm very excited to have been asked to be part of the We Are Europe activities for 2020 alongside a number of people whose work I really admire. We Are Europe, the European cooperation project that was launched in 2015 is embarking a new 3-year cycle (2019-2021)...
Public Health England & The FA – Every Mind Matters / Heads Up Campaign
In December, Sound Motives Studio worked with Freuds / Atomized Studios to deliver an audio advert, promoting Public Health England's Every Mind Matters and The FA's Heads Up mental health campaigns. The advert features HRH The Duke of Cambridge alongside a number of...
Best of 2019 List
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BBC Voice & AI
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The Economist – The Intelligence Podcast Production
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The Guardian – Politics Weekly
Off the back of the Guardian Voice Lab project, as well as doing some development work on a forthcoming series due in the autumn, I had the opportunity to produce Politics Weekly for the month of May. Here are a couple of highlight episodes for me, from the four-week...
The Voice Lab – Guardian Briefing
We launched our second project at The Guardian Voice Lab this week! It's a flash briefing that combined human and synthetic voice, which was a lot of fun work on. Working with SSML was a new experience for me, and although working in code was daunting initially, it's...
The Guardian Voice Lab – Articles
One of our responsibilities on The Voice Lab has been to write weekly blog posts about our progress. As Editorial Lead within the team, my posts have approached the meeting point that exists in voice between software developers and editorial/content creators, from the...
The Guardian Voice Lab – Year In Review
As previously discussed in an early blog post, in late October I began a 6 month contract at The Guardian's Voice Lab, fulfilling the role of editorial lead/audio producer within a 4-person software-focused team (alongside a product lead, a programmer and an UX...